Every year, crafting supersite Etsy.com throws a global celebration honoring art, craft, and design. This year, the theme is “Craft for Community” so our humble little Houston team is excited to be putting together a party to benefit local shelter and very worthy cause, The Women’s Home.
On June 20th, we’ll be crafting up a storm by creating pillowcases, bedding items, soaps, body products, hair accessories, and jewelry to donate directly to the women at The Women’s Home. We’ll also be collecting new and gently used items, as well as monetary contributions.
Check out a helpful list of suggested supplies to bring, and RSVP for the event HERE!
Are you excited about this weekend’s Indie Craft Fair, Art and Music Festival, Pop Shop? Of COURSE you are — Over 70 of Houston’s talented artists, craftspeople, and artisans will be there, Pi Pizza Truck will be there (OMG, all-weekend access to one of my favorite food trucks? This is going to get dangerous…), a mobile photo booth will be there, lots of cool bands and musicians will be performing, and there will be FREE crafting for kids and families. Also, did I mention I have some new work to show? Golly!
So grab your momma this Mother’s Day Weekend and show her a good time!
Last weekend was dreadfully rainy. To cope with my cabin-fever, I worked on an art project. Luckily for you self-proclaimed “non-artists”, the process behind this piece was so straightforward (not to mention it didn’t require a lick of drawing), I thought I’d share it with you as a simple how-to. I imagine this would be really fun as a rainy-day project for kids. Let me know if you try it and what you think!
What You’ll Need:
Tape (preferably artists tape or masking tape)
A photo of your profile (I snapped a quick shot on my computer and printed it out on cheap paper in black and white — nothing fancy!)
A patterned stamp (or you could forgo the stamping process and use decorative paper instead)
Charcoal (could be vine charcoal, compressed charcoal, chalk, or pastel… each one will have a unique look to it)
Paper towel or a chamois cloth for blending
An apron (charcoal = messy!)
Fixative or spray sealant
Step 1: Tape your photo on top of the contact paper and cut out your profile. Cut any additional shapes you’d like to include out of the contact paper.
Step 2: Tape down your paper along the edges (so it doesn’t move around on you), and stamp away!
Step 3: Peel the backing off of your contact paper pieces and adhere the sticky side to your stamped paper (keep in mind wherever the contact paper goes, that area will remain white.)
Step 4: CHARCOAL! I find it works best to use the side of a compressed charcoal stick and try to work from the center of a contact paper piece outward (so you don’t accidentally pull up the contact paper… if it happens though, just tell yourself that’s part of the beauty of the artistic process — the unknown!) Blend the charcoal as much or as little as you like, using your paper towel or chamois.
Step 5: Remove your contact paper pieces, carefully pulling from a corner.
Step 6: Admire your work!
After removing the tape from the edges, don’t forget to seal the finished piece with a sealant, in a well-ventilated area (outside is best!)
Frantisek Kupka’s “The Yellow Scale” (oil), and Allison Johnston’s “Orange Scales of Justice” (pastel and chalk)
Sometimes I hear other artists complain about needing inspiration in order to produce new work. Although I find that my personal problem has more to do with an excess of thinking and a lack of doing, I can certainly relate. Every now and then I have the sneaking suspicion that the GENIUS idea I just sprouted has already been done… perhaps many times. But that brings up an interesting question: If we are all unique individuals with unique thoughts and experiences (and I believe we are), don’t we automatically infuse that uniqueness into our work, regardless of whether the concept is truly original? And let’s be honest, nothing is truly original anymore. The spark of an idea must always come from some other source of inspiration. It’s what we do with that inspiration, how we put our own spin on it, that really matters.
Yesterday was the final critique for my drawing class. The end-of-semester assignment was to create a “riff” of another artist’s work. Initially, the idea made me uncomfortable — there is a lot of bad art out there which is meant to pay tribute to the genius of an artist whose skill level is above and beyond the capabilities of most of us. In other words, no matter which artist I chose, I felt completely incapable of doing the original work any justice. But after a frank discussion with my instructor lamenting my lack of time, quality materials, and ability, she reminded me of the importance of individuality and perspective. We are all unique, therefore we all create unique work. If we embrace our own voices as artists and refrain from attempting to mimic, our work which is inspired by another can have its own unique style, its own unique point of view. Most of the great artists of the past were influenced by each other, pulling bits and pieces of inspiration from the world around them. But they always made their work their own. It’s okay to be influenced by other artists, it’s natural. But if we’re not putting our own uniqueness into our work, what’s the point?
Recently, one of my mother’s cousins stumbled upon a bunch of old photos of my grandmother when she was very young. I’ve always loved vintage photos — at times, they evoke an era and an attitude that seems so far from what we now know. No evidence of an obsessive preoccupation with cell phones or facebook updates, no forced sexuality or vulgarity, no intent to impress, just an innocence and honesty. Other times, they possess a sort of unwavering truth about the human spirit, an unchangeable quality that reveals who we are and always will be as people.
As the youngest child of parents who were also the youngest children in their families, all four of my grandparents were fairly elderly by the time I was old enough to have complex thoughts of my own. While I’m thankful I got to know them at all, I often wish I had been able to see them when they were young and full of the energy I’ve heard so much about from older relatives.
Seeing photos of my grandmother as a young woman — energetic, happy, without a care in the world — makes me feel unexpectedly connected to her. I also see glimmers of my sister, Aimee, in her face and I’m reminded of the sometimes random amalgamation of all of us. We’re all knit together from strands of a past we no longer know. But those strands (at least partly) make us who we are — complex, crazy, and beautiful.
Here’s a charcoal drawing I’ve been working on, inspired by my grandmother’s youthful grace, and collaged from one of the vintage photos I found particularly haunting. There’s something about balloons that makes me think of childhood…
About a month ago I met with Ren Mitchell, owner of the new Artisan Craft Studio and Shop, The Tinderbox, to discuss carrying some of my work. Obviously I was flattered and intrigued — the idea of a retail shop meets craft workshop meets event space in Houston is something I can easily get behind. Ren has done an amazing job fixing up the space and I’m really looking forward to all the big things she plans to offer the Houston art scene!
Check out this gorgeous place (believe me, the pictures don’t do it justice so if you can, I recommend you visit in-person!)
Stop by The Tinderbox during the next Mid-Main First Thursday on May 2nd to meet some of the artists, see craft demos, have a boozy and help support Urban Harvest!
I’m super excited to be participating in this upcoming show, the May Pop Shop in Houston! Here’s a super awesome poster designed by Michael C. Rodriguez (love those adorable woodland creatures). Stay tuned for more details and a list of all the featured artists…
The very talented photographer/writer, Riaz Khan, took some great photos in my studio for the occasion and was a real trooper when it came to my lack of modeling skills. Here are a few that didn’t make the cut. What do you think…?